Enki Bilal

At the beginning of the exhibition, the artist shares his moment of awakening, which happens to align and intersect with the themes being explored in the Musée de l'Homme’s exhibition The Limits of Humanity. Each of its six parts (“I am an exceptional animal,” “I am a champion,” “I am a cyborg,” “I am a mutant,” “I am immortal” and “It will happen to all of us”) closely echoes the dystopian world created by Enki Bilal. Indeed, the artist has never stopped exploring frontiers which are material and metaphorical, temporal and spatial, and which have to be transgressed to seek out the otherworldly, the things that intrigue, frighten and fascinate us.

Enki Bilal was born in Belgrade in 1951, and he is an artist whose own persona has been shaped by playing with the frontiers. He is a shapeshifting artist who has become known as an illustrator, author, director, painter, writer, and decorator with a style that defies definition and an elusiveness that feeds his creative process. His mineral style, lit by frequently harshly-angled lighting, puts humanity in the spot light. A humanity that is defiant, with damaged flesh and an augmented body, searching for somewhere better - but supremely human. A being that doubts, suffers and loves.

When Bilal composes his graphic novels, he does not write directly on a storyboard, instead he draws each frame one-by-one in a large format before putting them all together. The exhibition enables visitors to admire a collection of thirty of these original works, including exclusive excerpts from the Bug series, as well as paintings and reproductions. The exhibition is broken down into six themes, making it possible to enter into this universe and explore “hybrimutantechs,” “immortalists” and “mechahumanimals” evolving in a fragile, uncertain world. This wordsmith and painter of the imaginary world presents a magnificent counterpoint here at the Musée de l'Homme - a counterpoint that is both poetic and necessary - to The Limits of Humanity exhibition.